IO, L’ALTRO

Yousef has been exiled from Tunisia and finds a job in Italy as a fisherman. Despite the difficulty every immigrant encounters, Yousef immediately makes friends with Giuseppe. Together, they decide to buy a small boat and start their own business as fishermen.

regia/director mohsen melliti
soggetto/subject mohsen melliti
sceneggiatura /screenplay mohsen melliti
fotografia/cinematographer maurizio calvesi
montaggio/editing marco spoletini
costumi / costume design carolina olcese
musica / music louis siciliano, roberto colavalle
suono / sound dolby sr
cast/cast raoul bova, giovanni martorana, mario pupella, samia zibidi, davide lo verde,  alessia luongo, lina besrat assefa
genere / genre drammatico / dramatic
formato originale/original format 35 mm – color
durata/running time drammatico / dramatic
paese di produzione/country of production italia / italy
produzione/production trees pictures, sanmarco film
distribuzione/distribution 20th century fox

Yousef has been exiled from Tunisia and finds a job in Italy as a fisherman. Despite the difficulty every immigrant encounters, Yousef immediately makes friends with Giuseppe. Together, they decide to buy a small boat and start their own business as fishermen. Everything seems to be running smoothly when, following the September 11th terrorist attacks, an atmosphere of suspicion and distrust towards Muslims arises of which Yousef will be one of the scapegoats…

MOHSEN MELLITI
He was born on 1st April 1957 in Tunis and was exiled to Italy. He collaborated with newspapers and research institutes to investigate the situation of human and political rights in Arabic countries.

2007 Io, l’altro (lungometraggio, feature); 1999L’uomo che voleva diventare cane (corto, short); 1995 L’altra Roma (documentario, documentary).

 

IN ASCOLTO

In a remote and huge American technological outpost based in England, the Wendell-Cranshaw Technologies, a US private company, takes advantage of the ECHELON worldwide interception system developed by the National Security Agency (NSA).

regia/director giacomo martelli
soggetto/subject giacomo martelli
sceneggiatura /screenplay giacomo martelli, i?igo dominguez e riccardo brun
fotografia/cinematographer eric meddison fst
montaggio/editing alex rodriguez e justine wright
scene / scene design alessandro marrazzo
costumi / costume design silvia nebiolo
musica / music christian kusche-tomasini
suono / sound tom sayer
cast/cast michael parks,  maya sansa, rea tidona, james parks
genere / genre thriller
formato originale/original format super 35 mm
durata/running time 105’
paese di produzione/country of production italia / italy
produzione/production nicolai iuul
distribuzione/distribution medusa

In a remote and huge American technological outpost based in England, the Wendell-Cranshaw Technologies, a US private company, takes advantage of the ECHELON worldwide interception system developed by the National Security Agency (NSA). In Rome, Italian Francesca Savelli, falsely accused of industrial espionage, is kidnapped and interrogated by Wendell-Cranshaw emissaries. Wagley, an elderly NSA officer betrayed by his friend and superior Philip Kovacs, decides, in turn, to betray him back. After deserting and fleeing to Italy, he rescues the young woman and gets in touch with Gianni Longardo, a former companion in arms. With the help of a mountain guide, they set up a secret listening station on Mont Blanc, at an altitude of 3,500 metres. From there they can listen to the NSA listeners, but their harmony is jeopardized by the deception it is based on.

GIACOMO MARTELLI
Giacomo Martelli is a producer, a screenwriter and a director. He is 29 years old, was born in Milan and brought up in Rome. He studied philosophy and film in England. “The listening”, his debut long feature film, was a four-year-long project.

2006  In ascolto (lungometraggio, feature).

 

IL SEGRETO DI RAHIL

Rahil balances on the train tracks that will lead her to womanhood. She staggers on her twelve years of age, the age when she has to abandon childhood for good. She meets people and women along her way to whom she can relate and compare herself in order to understand who she is and will be…

regia/director cinzia bomoll
sceneggiatura /screenplay cinzia bomoll
fotografia/cinematographer cristian alberini e simone scarozza
montaggio/editing giuliano testa e lorenzo k. stanzani
scene / scene design igor belinello
costumi / costume design flavia servili
musica / music giovanni bovina
suono / sound dolby sr
cast / cast ons ben raies, lorenza indovina, jamil hammoudi, giorgio faletti, elisabetta rocchettim, eva robins, serra yilmaz, mimmo mancini, angelo sellati e giada ramovecchi, vincenzo scuruchi e giorgio careccia
genere / genre drammatico / dramatic
formato originale/original format ps-tecnich mini 35
durata/running time 90’
paese di produzione/country of production italia / italy
produzione/production bomoll cinematografica

 

Rahil balances on the train tracks that will lead her to womanhood. She staggers on her twelve years of age, the age when she has to abandon childhood for good. She meets people and women along her way to whom she can relate and compare herself in order to understand who she is and will be… Her Iraqi name, “wanderer” in Arabic, perhaps says everything about her destiny… Her past treasures a secret, harder than the steel tracks along which she flees…

CINZIA BOMOLL
Before shooting her first feature film she made several short films. She is a film director and works for RAI and La7, two major Italian TV channels.

2006 Il segreto di Rahil (lungometraggio, feature); 2004 Aperto (corto, short); 2003 A ciascuno il tuo (corto, short); 2001 Il contrattempo (corto, short).

 

IL GIORNO + BELLO

Leo has few but binding certainties regarding his life: he loves Nina, Nina loves him, Nina and him will never get married. He has never been a rebel, on the contrary. But he has always thought of being free. And when suddenly Nina asks him to marry her, there could be just one reason: to prove to all the world that a marriage can be different!

regia/director massimo cappelli
sceneggiatura /screenplay massimo cappelli in collaborazione con chiara laudani
fotografia/cinematographer raoul torresi
montaggio/editing fabio nunziata
scene / scene design marco tripaldi
costumi / costume design valentina taviani
musica / music giuliano taviani
suono / sound dolby sr
cast/cast fabio troiano, violante placido, carla signoris, shell shapiro, luce caponegro, giorgio colangeli, claudia zanella, ariella reggio
genere / genre commedia / comedy
formato originale/original format 35 mm – color
durata/running time 90’
paese di produzione/country of production italia / italy
produzione/production amedeo bacigalupo per nuvola film in associazione con reef comunicazione
distribuzione/distribution videa-cde, warner bros. pictures italia

Leo has few but binding certainties regarding his life: he loves Nina, Nina loves him, Nina and him will never get married. He has never been a rebel, on the contrary. But he has always thought of being free. And when suddenly Nina asks him to marry her, there could be just one reason: to prove to all the world that a marriage can be different! Indeed he finds himself to do all the steps of the most traditional of the marriages from the beginning to the end. Nina, overwhelmed by duties, seems another person and when the moment of the speech of the bridegroom arrives, Leo has many things in mind…

MASSIMO CAPPELLI
Massimo Cappelli comes from Ascoli Piceno. He has been living in Rome since obtaining his Law degree. In February 2001 his screenplay “Ampio, luminoso, vicino metro” was awarded the Cinecittà Digital 2000 award for high definition short film making. He has written a number of feature film screenplays.

2006 Il giorno + bello (lungometraggio, feature) 2005 Tutto brilla (corto, short) 2004 Per Agnese (corto, short) 2001 Ampio, luminoso, vicino metro (corto, short) 2000 Il sinfamolle (corto, short) 1999 Toilette (corto, short).

 

CARDIOFITNESS

Stefania, a restless twenty-seven-year-old would-be writer, shares joys and sorrows with Cecilia and Ilaria, her best friends. Cecilia works in a gym where the three friends meet every day to get rid of life’s frustrations and frivolities. But in the fitness centre car park Stefania meets Stefano.

regia/director fabio tagliavia
sceneggiatura /screenplay barbara frandino, lucia moisio e marco ponti
fotografia/cinematographer stefano ricciotti
montaggio/editing valentina girodo
scene / scene design roberto de angelis
costumi / costume design angelo poretti
musica / music alberto caruso
suono / sound dolby sr
cast/cast nicoletta romanoff, federico costantini, giulia bevilacqua, sara felberbaum, daniele de angelis, fabio troiano
genere / genre commedia / comedy
formato originale/original format 35 mm – color
durata/running time 82’
paese di produzione/country of production italia / italy
produzione/production rai cinema, palomar
distribuzione/distribution 01 distribuzione

Stefania, a restless twenty-seven-year-old would-be writer, shares joys and sorrows with Cecilia and Ilaria, her best friends. Cecilia works in a gym where the three friends meet every day to get rid of life’s frustrations and frivolities. But in the fitness centre car park Stefania meets Stefano. It is love at first sight for her, but also a reason for great embarrassment when, after looking through the gym records, she and her friends find out that Stefano is only seventeen. While trying to break free from her ex boyfriend Maurizio, Stefania decides to carry on with her life and makes love to Stefano in a bizarre artist’s bizarre flat. Despite feeling disheartened and wanting to bin her novel, she soon regains confidence and enthusiasm. By getting over other people’s envy and prejudices, she will definitely win Stefano’s heart.

FABIO TAGLIAVIA
Fabio Tagliavia was born in Lavagna, near Genova, on 27th August 1967 and was brought up in Cuneo and Turin. After writing his thesis on film history and critics and graduating in Arts he started to work in the film industry. His first film was Mimmo Calopresti’s “La seconda volta” (1995), in the role of a camper. After working in film production, he began his career as an assistant director in 1998. He directed two short films and one long feature film, “Cardiofitness”.

2006 Cardiofitness (lungometraggio, feature); 2002 Playgirl (corto, short); 2001 Kissing Paul Newman (corto, short).

 

FRATELLI DI SANGUE

Three brothers. A basement. The same basement where they used to hide as children. The rest of the family is making Christmas lunch upstairs. The three brothers have not seen each other nor celebrated Christmas together for ten years. There is a radio in the basement. An old, dusty radio tuned in to a station broadcasting uncensored telephone calls.

 

regia/director davide sordella
soggetto/subject davide sordella
sceneggiatura /screenplay davide sordella
fotografia/cinematographer diego rodriguez
montaggio/editing
scene / scene design
costumi / costume design
musica / music davide sordella
suono / sound dolby sr
cast/cast fabrizio gifuni, fabrizio rongione, barbara bobulova
genere / genre drammatico / dramatic
formato originale/original format 35 mm – color
durata/running time 85’
paese di produzione/country of production italia / italy
produzione/production 011 films s.c.r.l.
distribuzione/distribution medusa video s.p.a.

Three brothers. A basement. The same basement where they used to hide as children. The rest of the family is making Christmas lunch upstairs. The three brothers have not seen each other nor celebrated Christmas together for ten years. There is a radio in the basement. An old, dusty radio tuned in to a station broadcasting uncensored telephone calls. It is a kind of 24-hours confessional, where everyone tells about things that cannot be said. “It’s an innocent game, let’s call!” So they start playing an odd Russian roulette, where the person drawn will have to call the radio. But what happens when the Christmas night of ten years ago is mentioned? What happens when everyone starts revealing, call after call, their real nature? What happens when the past becomes an obsession?

DAVIDE SORDELLA
He studied at the London International Film School with Mike Leigh. After working in Latin America for six years by making documentary films and advertisement campaigns on HIV-AIDS he shot his first long feature film in Italy, “Fratelli di sangue”, and is now giving the final touches to his second film, shot in Italy, Spain and Morocco. His short film “It’s not me, it’s not you” – shot in Israel – won the “Kodak European Showcase” and was presented at many international film festivals around the world, including the Cannes Film Festival.

2005 El circuito perfecto (documentario, documentary); 2004 Fratelli di sangue (lungometraggio, feature); 2002 It’s not me it’s not you (corto, short); 2001 Memories of a song (corto, short); 2000 The end (corto, short); 1999 Tattoos (corto, short); 1996 Yawar (corto, short), Film facilities in Turin (documentario, documentary), Missiones de Chiquitos (documentario, documentary); 1995 La maecha de los Fantasmas (documentario, documentary); Socavon sin salida (documentario, documentary); 1993 Il re dei cocomeri (documentario, documentary); Crotone (documentario, documentary).

 

L’ORCHESTRA DI PIAZZA VITTORIO

This film tells the story of the famous Piazza Vittorio Orchestra Band, established by Mario Tronco, Avion Travel’s keyboards player, and Agostino Ferrante. In the Rome district where Italians are an “ethnic minority” they put together street and professional musicians coming from every corner of the world.

 

regia/director agostino ferrente
soggetto/subject agostino ferrente
sceneggiatura /screenplay agostino ferrente
fotografia/cinematographer greta de lazzaris, alberto fasulo, simone pierini, giovanni piperno, sabrina varani
montaggio/editing desideria rayner
musica / music l’orchestra di piazza vittorio diretta da mario tronco
suono / sound documusical
cast/cast mario tronco, agostino ferrente, dina capozio, mohammed bilal, houcine ataa, rahis bharti, carlos paz, ziad trabelsi, omar lopez valle, pap yeri samb, raul schebba, john maida, pino pecorelli, pepe d’argenzio, marian serban, abdel majid karam, amrit hussain, pino marino, piccola orcherstra avion travel, javier girotto, monique veaute, apollo 11
genere / genre documusical
formato originale/original format beta digital pal
durata/running time 93’
paese di produzione/country of production italia / italy
produzione/production lucky red, pirata m.c , bianca film
distribuzione/distribution lucky red

This film tells the story of the famous Piazza Vittorio Orchestra Band, established by Mario Tronco, Avion Travel’s keyboards player, and Agostino Ferrante. In the Rome district where Italians are an “ethnic minority” they put together street and professional musicians coming from every corner of the world. This film encompasses five years of shooting material, thirty musicians, fifteen nationalities, five cameramen, four editors, three sound-engineers, one district, one cinema to be rescued, one cultural association, one conductor and one film director. It portrays an extraordinary picture of intertwined multiethnic stories, humanity and music, representing, for many people, not only the fulfilment of a dream, but a life choice, a job, and a family.

AGOSTINO FERRENTE
Agostino Ferrente was born on 28th October in Cerignola. He is a film director, a producer and an artistic director. Before getting interested in cinema – he “survived” his experience with Ipotesi Cinema, a group created by Ermanno Olmi, and attended the DAMS (Department of Performing Arts) at the University of Bologna – he was coordinating editor for different TV and radio stations for Italian communities abroad. He worked with Silvano Agosti as assistant director and collaborated “incognito” with Nico Cirasola. His two short films “Poco più della metà di zero” (1993) and “Opinioni di un pirla” (1994) received special mentions at international film festivals. With his Pirata Manifatture Cinematografiche production company he produced and co-directed two documentaries that received numerous awards: “Intervista a mia madre” (Rai Tre – Teatri Uniti, 1999) and “Il film di Mario” (1999 – 2001). In 2001, together with ten “accomplices”, he founded the Apollo 11 Group in Rome and rescued the historic cinema and theatre Apollo from becoming a bingo hall. Through cultural events of various nature including cinema, music and writing, Apollo has since then become one of the most important centres for cultural production in Rome. Together with the Apollo 11 Group and Mario Tronco, founder and artistic director of the Avion Travel band, he created the “Orchestra di Piazza Vittorio”, an ensemble of twenty musicians coming from twenty different countries worldwide and whose second CD – a co-production of Apollo 11 and Radio Fandango – has just come out. He has recently directed  and produced, with his Pirata M.C., a documentary film about the story of the Orchestra, co-produced by Bianca Film and Lucky Red, which also distributes it. As vice president of Doc/it, the Italian Documentary Association, he is working hard to promote the documentary genre through various events, including the Stati Generali del Documentario, the Doc/it Prize at the Venice Film Festival and others dedicated to Vittorio Seta, Honorary President of the association and with whom he collaborates very closely. He has also made the docu-clips “Gli Avion Travel in seduta di registrazione” (2003) and Pino Marino’s “L’alluvione del ‘43” (2005), as well as a video clip for Ena Andi, the best hit of the Orchestra’s latest album, Sona. In collaboration with Rai Tre, Indigofilm and Cult he is making the web-documentary “Appunti sull’amore”, with Giovanni Piperno as co-director. Two years ago he became a member of the Accademia del Cinema Italiano.

2005 L’orchestra di piazza Vittorio (documusical); 1999 Intervista a mia madre (documentario, documentary), Il film di Mario (documentario, documentary); 1994 Opinioni di un pirla (corto, short); 1993 Poco più della metà di zero (corto, short).

 

LA VERA LEGGENDA DI TONY VILAR

A contemporary singer-songwriter decides to follow in the man’s footsteps who, at the time of Italians migrating to Argentina, was one the most popular South American post-war singers: Tony Vilar, the first man making the whole world sing his “Cuando calienta el sol”.

regia/director giuseppe gagliardi
soggetto/subject giuseppe gagliardi
sceneggiatura /screenplay giuseppe gagliardi, peppe voltarelli
fotografia/cinematographer michele paradisi
montaggio/editing gianluca stuard
scene / scene design
costumi / costume design
musica / music tony vilar e beppe voltarelli
suono / sound dolby digital
cast/cast roy paci, dario de luca, saverio la ruina, antonio chiappetta, cristina mantis, antonio aiello
genere / genre mockumentary
formato originale/original format super 16mm, dvcam
durata/running time 92’
paese di produzione/country of production italia / italy
produzione/production tico film company e avocado pictures
distribuzione/distribution giovanni tamberi per metacinema

A contemporary singer-songwriter decides to follow in the man’s footsteps who, at the time of Italians migrating to Argentina, was one the most popular South American post-war singers: Tony Vilar, the first man making the whole world sing his “Cuando calienta el sol”.

GIUSEPPE GAGLIARDI
Giuseppe Gagliardi has created and directed several short films and video clips. His short film “Peperoni” was awarded the Silver Sacher Prize at the film festival organised by Nanni Moretti in 2001. This short film was awarded fifteen prizes in Italy and other countries and was broadcast by various TV channels, including Canale 5. “Doichlandia” was awarded the prestigious Jury prize at Turin Film Festival. “La vera leggenda di Tony Vilar” is his first long feature film.

2005 La vera leggenda di Tony Vilar (mocumentary); 2003 Doichlandia (corto, short); 2001 Peperoni (corto, short).

 

APNEA

After a brilliant career as a fencer, Paolo now works as a sports journalist for a local newspaper. His friend Franz has died because of a heart attack. Just like Paolo, he was a former champion fencer and later became an entrepreneur, like many others living in that rich, northern province.

regia/director roberto dordit
soggetto/subject roberto dordit
sceneggiatura /screenplay roberto dordit, serena brugnolo
fotografia/cinematographer tommaso brunori borgstrom
montaggio/editing luciana pandolfelli
scene / scene design beatrice scarpato
costumi / costume design maria de fornasari
musica / music paolo buonvino, pasquale laino
suono / sound dolby digital
cast/cast claudio santamaria, fabrizia sacchi, michela noonan, diego robon, emilio de marchi, emanuel dabone, enrica rosso, daniele mauro, giuseppe battiston, elio de capitani
genere / genre drammatico / dramatic
formato originale/original format 35 mm – color
durata/running time 93’
paese di produzione/country of production italia / italy
produzione/production indigofilm in collaborazione con rai cinema
distribuzione/distribution istituto luce

 

After a brilliant career as a fencer, Paolo now works as a sports journalist for a local newspaper. His friend Franz has died because of a heart attack. Just like Paolo, he was a former champion fencer and later became an entrepreneur, like many others living in that rich, northern province. At some point, Paolo realises that his friend’s life was not as clear as he thought. Even his death seems to hide some secrets. For Paolo, the search for the truth becomes an adventure in a completely unknown world, the world of the rich leather tanning entrepreneurs. It is a dirty world, but a fascinating one at the same time. A world of unusual encounters, like that with Giordano’s children: Chiara, his young and wild daughter, and little Leo, suffering from a particular form of autism that will help Paolo throw light on Franz’s life and death.

ROBERTO DORDIT
Roberto Dordit was born in Venice and now lives in Bologna. From 1997 to 1999 he worked at story-boards and technical cutting for TV commercials and documentary films. He has shot numerous documentary films and two fiction short films. In 2004 he made his first long feature film, “Apnea”, produced by Indigo Film. In 2005 he was selected for the Taormina BNL Film Festival, the Costa Iblea Film Festival, the Taranto Jeff, the “Amidei Prize”, the “Bimbi belli” exhibition organised by Nanni Moretti and many more. His film was considered to be of national and cultural interest by the Ministry for Arts and Culture.

2004  Apnea (lungometraggio, feature); 2001 Zoo (corto, short); 2000 Nella polvere (corto, short).

 

STARFLY

Starfly is the story of a return to Earth. This return made by Bobby Baxter, an astronaut who has been travelling through space for ages and gets forced to land on earth again without having been prepared to it. Single, without friends or family, except for his alcoholic father, Bobby has not face the hard…

 

regia / director beryl koltz

sceneggiatura / screenplay beryl koltz

fotografia / cinematographer jako raybaut

montaggio / editing amine jaber

musica / music lingo

suono / sound dolby srd

cast / cast rob Stanley, florence z. blattmann

genere / genre fiction

formato originale / original format 35mm – color

durata / running time 19’

anno di produzione / year of production 2006

paese di produzione / country of production lussemburgo / luxembourg

produzione / production samsa film

distribuzione / distribution premium films

Starfly is the story of a return to Earth. This return made by Bobby Baxter, an astronaut who has been travelling through space for ages and gets forced to land on earth again without having been prepared to it. Single, without friends or family, except for his alcoholic father, Bobby has not face the hard realities of life. But soon he will meet a mysterious Super Fly and get involved into quite extraordinary adventures without understanding their true meaning… And what if reality wasn’t what we think?

 

BERYL KOLTZ

After studying film in Paris and Brussels, Beryl Koltz started to write and direct short films and documentary films. The common aspect to all of his works is the analysis of individuals living on the fringe of society. The outcome is an artistic context (portraits of artists) having social and psychological exclusion as its backdrop. She currently lives and works in Luxembourg and Paris. Beryl was born in 1974.

 

2006 Starfly (corto, short).