RECOIL

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After committing a bloody crime, Peter, a paramilitary, is confounded by a detective’s questioning. An answer might offer him redemption, but threatens to condemn him to prison. Does he know the answer and will he give it?

 

regia/director billy mccannon
sceneggiatura /screenplay billy mccannon
fotografia/cinematographer brendan maguire
montaggio/editing brian truglio
musica / music terry cromer
suono / sound dolby a
cast / cast keith mcerlean, bosco hogan
genere /genre fiction
formato originale/original format 35mm – color
durata/running time 12’45’’
anno di produzione/year of production 2004
paese di produzione/country of production irlanda / ireland
produzione/production zanzibar films
distribuzione/distribution network ireland televison

 

COURMAYEUR NOIR IN FESTIVAL
Premio Corti di Paura

 

After committing a bloody crime, Peter, a paramilitary, is confounded by a detective’s questioning. An answer might offer him redemption, but threatens to condemn him to prison. Does he know the answer and will he give it?

 

BILLY McCANNON

Billy McCannon is a film director and screenwriter. Originally from Galway, he graduated from DIT Communications (Film & Broadcasting) in 1984 and became a film industry trainee in the departments of editing and camera until being admitted to the director’s section. He has achieved credits in screenwriting and directing in both documentary and drama. He won an Arts Council Film Script Award in 1990 and his first film “That’s all Right” had the distinction of opening the Cork film Festival. His work has won plaudits at International Festivals and has been given cinema release in Ireland as well being broadcast by RTE, BBC and C4. He has lectured at DIT Aungier St. GMIT and currently in NCAD’s Portlaoise Prison Art Course.

 

2005 Recoil (corto, short) 1996 One more shot (corto, short) 1994 The last round (corto, short) 1991 There’s a Hole in the Ozone Layer Just (corto, short) 1989 That’s all right (corto, short)

 

PUNTO DI VISTA

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A university exam, an enterprising female student and an enigmatic teacher’s assistant. Fiammetta decides to seduce the assistant with gestures and winks of the eye. She gets the good marks, but reality isn’t always what it seems…

 

regia/director michele banzato
sceneggiatura /screenplay michele ranzato, carla rinaldi
fotografia/cinematographer gianfranco irlanda
montaggio/editing giovanni ziberna
musica / music luigi borgogno
cast / cast sarah maestri, ignazio oliva
genere /genre fiction
formato originale/original format hdv – color
durata/running time 6’30’’
anno di produzione/year of production 2005
paese di produzione/country of production italia / italy
produzione/roduction trees pictures srl
distribuzione / distribuition emmefilm.com srl

 

VISIONI ITALIANE 2005
Menzione Speciale della Giuria

 

A university exam, an enterprising female student and an enigmatic teacher’s assistant. Fiammetta decides to seduce the assistant with gestures and winks of the eye. She gets the good marks, but reality isn’t always what it seems…

 

MICHELE BANZATO

Born in Padova, where he received his Masters Degree in Literature with a dissertation on film studies. During the ‘90s he was among the filmmakers of “Ipotesi Cinema”, coordinated by Ermanno Olmi, and co-founder of “Kinéō”, an association producing media projects. Assistant Director for Francesco Massaro on the TV series “Provincia segreta due” and for various cinema directors including Vittorio De Seta on “Lettere dal Sahara” (working title, currently in post-production) and Giacomo Campiotti on “Mai più come prima”. Creator and teacher of courses in media language, he collaborates with Prof. Mario Brenta, master professor of “Cinematic Theory and Language Technique” for the Degree Program in Communication Sciences and DAMS at the University of Padova.

 

2005 Punto di vista (corto, short) 2001 Cortina Magic Summer (corto, short) 1999 Diversamente (corto, short) 1996 Il macchinista (corto, short)

 

PODOROZHNI

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Film about childhood that never returns, about dreams that can’t come true and about madness as a kind of happiness or grief.

 

regia/director igor strembitskyy
sceneggiatura /screenplay natalya kononchuk
fotografia/cinematographer igor strembitskyy, artem vasyliev
montaggio/editing igor strembitskyy, taisiya boyko
suono / sound optical
genere /genre documentario / documentary
formato originale/original format 35 mm – b/w
durata/running time 10’
anno di produzione/year of production 2005
paese di produzione/country of production ucraina / ukraine
produzione/production i. karpenko – karyy kyiv national university of theatre, cinema and television
distribuzione/distribution natalya kononchukFESTIVAL DE CANNES
Palme d’Or du Court Métrage 

Film about childhood that never returns, about dreams that can’t come true and about madness as a kind of happiness or grief.

 

IGOR STREMBITSKYY

Igor Strembitskyy was born in 1973 in Paryshche, a village in Sub Carpathians (Ukraine). From 1998 to 2003 he studied documentary filmmaking (with Professors Serhiy Bukovskyy and Volodymyr Kukorenchuk) in Kyev. He has participated to the Berlinale Talent Campus 2005.

 

2005 Podorozhni (corto, short);

 

POST-IT

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P. seems to be a kid like every other, but one day coming back from school he finds some post-it stuck around. Is this an exceptional event or part of his everyday life? And who is writing to him? Post-it is a trip into the little world of a kid. A world made of colourful fishes that squirm inside public…

 

regia/director michele rho
sceneggiatura /screenplay michele rho
fotografia/cinematographer andrea locatelli
montaggio/editing antonio civilini
musica / music giovanni dettori
suono / sound dolby digital
cast / cast pietro selvini
genere /genre fiction
formato originale/original format 35 mm – color
durata/running time 17’
anno di produzione/year of production 2004
paese di produzione/country of production italia / italy
produzione/production pablo film
distribuzione/distribution pablo film

 

NOVARACINEFESTIVAL
Miglior Cortometraggio Sezione Altri Territori

 

P. seems to be a kid like every other, but one day coming back from school he finds some post-it stuck around. Is this an exceptional event or part of his everyday life? And who is writing to him? Post-it is a trip into the little world of a kid. A world made of colourful fishes that squirm inside public swimming pools, of little phrases, of ongoing run-up towards something that slips away, and of big loneliness…

 

MICHELE RHO

Michele Rho (1976) lives in Milan, Italy. He has studied direction at the Scuola d’Arte Drammatica Paolo Grasssi, in Milan, one of the most important Italian drama schools. He has worked for many years in theatre as an actor and director. Then he has started work in videos and film. He has worked for SKY and RAITRE. He is currently writing his first feature film.

 

2004 A self-portrait (corto, short); Post-it (corto, short) 2002 Milàn (corto, short)

 

(why do I keep going) FORWARD

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“Keep going forward” is an imperative of our time. In this video installation the word ‘progress’ is explored in its many meanings.

 

regia/director martijn veldhoen
sceneggiatura /screenplay martijn veldhoen
fotografia/cinematographer martijn veldhoen
montaggio/editing martijn veldhoen
genere /genre sperimentale / experimental
formato originale/original format beta sp
durata/running time 6’
anno di produzione/year of production 2004
paese di produzione/country of production olanda / netherlands
produzione/production netherlands media art institute montevideo
distribuzione/distribution netherlands media art institute montevideo

 

SPLIT FILM FESTIVAL
Grand Prix – Short Competition

 

“Keep going forward” is an imperative of our time. In this video installation the word ‘progress’ is explored in its many meanings.